The State of the Tenor. Jazz United to a similar concept: Photos, Videos

Thirty-five years ago, Joe Henderson released a pair of albums under an evocative title, “The State of the Tenor.”

Because February is Tenor Saxophone Month, we decided to devote this episode of Jazz United to a similar concept. But we wanted to turn our spotlight on some emerging masters on the instrument — musicians whose dedication, proficiency and poise represent a vital new chapter. It so happens that all three are women, and their example (among others) upends some longstanding prejudices around the sax.

Chilean-born tenor saxophonist Melissa Aldana has turned heads ever since moving to New York a dozen years ago. She captured first place in the Thelonious Monk International Jazz Saxophone Competition in 2013 and earned her first Grammy nomination for a solo improvisation on her fifth album, Visions. Until recently, she was a member of Artemis, the international, intergenerational supergroup that released its debut album on Blue Note last year.

Aldana’s worthy replacement in Artemis is Nicole Glover, who has been a fixture on the scene in New York. Her presence in another all-star project, Out to Dinner, and her work on Language, a 2020 duet album with drummer Nic Caccioppo, illustrate a strong grasp of both the “inside” and “outside” traditions of improvisation. We’re sure to be hearing a lot more from her soon.

Completing our informal trilogy, we have Lakecia Benjamin — an alto saxophonist, to be clear, but one who (as Greg astutely observes) harnesses tenor-like powers on the smaller instrument. As a native New Yorker, Benjamin received early training from tuba virtuoso Bob Stewart and trumpet icon Clark Terry, before going on to work with everyone from Stevie Wonder and Anita Baker to David Murray and Rashied Ali. She marshaled a multi-generational array of all-stars on her latest album, Pursuance: The Coltranes, which underscores the strength of her vision.