Somewhere out there in the Detroit region there are unreleased tapes of Terry Pollard. The accomplished female pianist and vibraphonist recorded only one studio album as a leader.
Terry Pollard was recorded for Bethlehem in Los Angeles in January 1955. She began her recording career in the early 1950s in Billy Mitchell’s Detroit quintet. Then thanks to the keen eyes and ears of vibraphonist and bandleader Terry Gibbs, she joined his band and recorded seven albums with him from 1953 to 1956. She also appeared on TV with him that year. In 1958, Pollard retired from her music career to raise a family but in the years that followed she led a trio at Detroit’s Hobby Bar and performed with touring artists.
Album-cover photo above by Herman Leonard Photography
Someone must have tapes of her playing at the Hobby Bar. Hopefully label gumshoes who specialize in unearthing such unreleased gems will find recordings by Pollard, who is woefully undocumented. For now, Fresh Sound has just remastered in mono (24 bit) Pollard’s Bethlehem leadership album as well as select recordings as a sidewoman.
Chronologically, this Fresh Sound album begins with Blue Room, which Pollard recorded with Billy Mitchell (ts), Thad Jones (tp), Pollard (p,vib), Alvin Jackson (b) and Elvin Jones (d). Then comes It Could Happen to You and Stompin’ at the Savoy from Dick Garcia’s A Message From Garcia, featuring Gene Quill (as), Pollard (p), Garcia (g), Bill Anthony (b) and Frank Isola (d).
The next eight tracks are from Terry Pollard on Bethlehem from January 1955, featuring Don Fagerquist (tp), Pollard (p), Howard Roberts (g), Herman Wright (b) and Frank DeVito (d). The cover, above, featured only a series of blurry lights, which I suppose allowed buyers to think Pollard was a white male, which was more marketable than an African-American woman. The back did not include a photo either.
There are four tracks by Pollard from Terry Gibbs for EmArcy in September 1955, featuring Gibbs (vib,p), Pollard (p), Herman Wright (b) and Bert Dahlander (d) playing Pretty Face, Nutty Notes, Lonely Dreams and Dicky’s Dream.
And finally, three from Gibbs’s Mallets-a-Plenty recorded in June 1956, with Gibbs (vib), Pollard (p), Herman Wright (b) and Jerry Segal (d). The tracks are Then It Happens, I’ll Remember Apriland Mean to Me.
Every track on this Fresh Sound release is a joy, and the remastering makes the album a must own. Pollard, Hazel Scott and Marian McPartland were queens of the jazz piano in the 1950s. Pollard also was vibes royalty. As for Mary Lou Williams, she was in a league of her own.
Terry Pollard died in 2009.
How remarkable was Terry Pollard? She is with monster vibist Terry Gibbs, Herman Wright (b) and Jerry Segal (d) playing two songs on the Tonight Show with Steve Allenin 1956…
Pollard with lyrical trumpeter Don Fagerquist playing Pollard’s own great Fedj...
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