Meredith d’Ambrosio’s singing and piano are gorgeous, her playing is so sensitive and articulate in the Bill Evans: Photos, Videos

One of our regrets about our college years in Boston during the 1970s is not going to see Meredith d’Ambrosio perform around town.

Back then, we was either at the Harvard “Coop” buying jazz LPs, at Paul’s Mall and the Jazz Workshop at night during the week and at discos on the weekends. We made up for lost time, and Meredith and I have been pals ever since. Yesterday, I spent much of the afternoon with Meredith’s Another Time.

Recorded in 1981 at the Beacon Hill home of Christopher Lyndon, a journalist, author and radio personality, the album featured Meredith singing and accompanying herself on the piano. The album was released on LP on the Shiah label and then on CD in 1989. Sunnyside Records reissued the album in 1990 and it’s now available at iTunes.

Meredith’s singing and piano are gorgeous on Another Time. Her playing is so sensitive and articulate in the Bill Evans tradition, and her song choices on the 18-track album are precious:

• Alec Wilder and Loonis McGlohon’s All of Us In It Together
• Jimmy Van Heusen and Johnny Burke’s Aren’t You Glad You’re You?
• Wilder’s It’s So Peaceful in the Country
• Wilder and Marshall Barer’s Rain, Rain (Don’t Go ‘Way)
• Dave Frishberg’s Dear Bix
• John Latouche and Jerome Moross’s Lazy Afternoon
• Wilder and McGlohon’s Where’s the Child I Used to Hold?
• June Carroll and Arthur Siegel’s Love Is a Simple Thing
• Dave Frishberg and Johnny Mandel’s You Are There
• Wilder, William Engvick and Marty Palitz’s While We’re Young
• Fran Landesman and Bob Dorough’s Small Day Tomorrow
• Wilder and Thad Jones’s A Child Is Born
• Bob Dowd and Meredith’s The Piano Player (A Thousand and One Saloons)
• Larry Morey and Frank Churchill’s Some Day My Prince Will Come
• Wilder’s Such a Lonely Girl Am I
• Frishberg’s Wheelers and Dealers
• George and Ira Gershwin’s I Was Doin’ All Right
• And Johnny Mercer and Hoagy Carmichael’s Skylark

Listen to the chords Meredith uses to open You Are There. Like the chiming of introspective bells. Or the lullaby quality of Love Is a Simple Thing. Or her soft voice and insanely great chord changes on her own The Piano Player (A Thousand and One Saloons). Or the jewelry-box quality of the opening chords of Such a Lonely Girl Am I. Or the rarely heard intro to I Was Doin’ All Right. And a Skylark that rivals Over the Rainbow. Another time, indeed.

When Meredith sings, I’m transported back to the gentle Boston I knew decades ago: The start of snow at dusk on Beacon Hill, the reflective majesty of the John Hancock Tower, the splendor of McKim, Mead and White’s Boston Public Library, the grace of the old Copley Square Hotel and its Merry-Go-Round bar, the now-shuttered music and instrument shops in the theater district, the long-lost Ken’s Deli at Copley, the windup toy sound of the trollies, the taste of Italian pastry in the North End, the shouts of vendors at Quincy Market, Boston Gardens in the spring and the wind-swept, Brutalist expanse of the Christian Science Plaza and reflecting pool on Huntington Avenue.

When you start playing Meredith’s album, you, too will find yourself back in Boston, even if you’ve never been.

It’s So Peaceful in the Country…

Rain, Rain (Don’t Go ‘Way)…