For those of you that hear the name Spyro Gyra and immediately peg them as Smooth Jazz, you really are doing yourself a disservice. The term smooth jazz didn’t even enter the musical lexicon until much later than when the band formed in 1974. I think a much better way of describing them is accessible jazz.
Every one of the members is an exceptionally talented and versatile player and it is something that is immediately apparent from the opening notes of the show.
The standout for me (hey, I’m a guitarist) is Julio Fernandez, the guitarist who has been with them since the mid-1980s. He has that rare ability to effortlessly project the 3-T’s–Taste, Texture, and Tone. If I had to describe him to someone unfamiliar with his playing, I would say he is cut from the same cloth as Larry Carlton.
A consummate team player who naturally locks in and compliments the rhythm section without bringing any attention to himself. Adding the just-so-right fills when called for, he is a joy to listen to when Jay Bekenstein (founding member and sax) or Tom Schuman (keyboards) stretch out on solos.
I had last seen Spyro Gyra around 1980 and, although I do remember that concert somewhat (it was at the Berklee Performance Center) the band has evolved and matured into a thoroughly enjoyable and polished ensemble that I think any serious music lover would absolutely enjoy.
More Stories
Photo album: Live concert by living legend Herbie Hancock Quartet was simply dazzling: Video
New Book – 2024: They called her the Baroness of Jazz: The author’s work, digging into the memories of family and living musicians: Video, Photos
The magic is in what I hear in the music, not where I’m told it fits within any modern construct of musical genres։ Videos, Photos